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The Next Coming of M The M3 heralds the third generation of Korg Workstations. The M1 started it all, first appearing in 1988 to bring the world a new concept called the â⠬Šmusic workstation. It went on to become the best selling workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products. The M3 music workstation/sampler is available as a lineup of four models: 61-key, 73-key, and weighted 88-key models, as well as the module-only M3-M. The 73-key model uses a proprietary new semi-weighted synth action keyboard developed by Korg for great playing feel and expressive aftertouch response. Now Korg Is Poised To Redefine The Workstation Category Once Again The M3 features a number of innovations distilled from the flagship OASYS including the new EDS (Enhanced Definition Synthesis) sound generator derived from the HD-1 engine design, the advanced second-generation KARMA functionality, and the multi-purpose control surface. Adding innovations such as the new concept of â⠬Švirtualized hardware that allows an even closer integration with DAW systems, Drum Tracks which provide a instant groove to play along with, and the new "Korg Komponent System" concept that facilitates more flexible system construction, the M3 music workstation/sampler opens a new and exciting page in music making - it's the workstation that rightfully deserves to wear the â⠬ŠM that started it all. Enhanced Definition Synthesis --- a new horizon of sound-making potential The M3 features a newly developed â⠬ŠEDS sound generating system based on a new chip design that was developed in parallel with the HD-1 engine from the flagship OASYS. It takes full advantage of the M3's 256 Mbytes of PCM source material which is a veritable â⠬Šbest of from the OASYS. Using Korg's advanced voicing technology, the 1,028 multisamples, 1,606 drum samples, dual oscillators, four-level velocity switching/crossfading/layering, and stereo sampling allow for an enormous range of high-quality, detailed, and expressive sounds. The filter section, a vital part of the sound-creation process, lets you simultaneously use two resonant filters for each oscillator, and can be configured in series or parallel. Four filter types are provided: low-pass, high-pass, band-pass, and band-reject. The amp section features a driver circuit that gives the sound a sense of edge and character, along with low boost to help shake the walls when needed. Integrated 3-band EQ allows tonal sculpting without needing to go to the effects section. Detailed envelope generators, abundant modulation routings, plus the all-new AMS Mixers for advanced processing all combine to provide a level of sound shaping far beyond previous possibilities. Effects The all-important effect section provides up to five Insert eff

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